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Planning another question 3

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No matter where they are produced, the representations of characters and events in LFTVDs are always influenced by historical events. How far do you agree with this statement?  Introduction: I agree with the statement ST- Based around cold war and 80's Lupin- post colonial implications  -Point 1, context: -Stranger Things being based around the Cold war and government experiments and in 1980s Distrust of government in 80s, declassified CIA files.- Lab, listening to calls -Lupin: Pellegrini stereotypical powerful rich white people. Heavy contrast between working class and colonialism through art -Theorist: -ML: Lupin- Center frame Assane through glass ST- Tracking shot of phone spies Lupin- Depth of field prioritizing art over Assane in frame Point 2, Representation: Stranger Things representing sexism through having girls excluded from the main group until later on in the series. Lupin represents racism through Mrs Pellegrini being scared of Babakar when he offers to fix her c...
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Question 4 answer

 Evaluate the usefulness of one of the following theories in understanding long form television drama either Hall's theories representation theory or  Guantlett's identity theory Guantlett's identity theory states that identities are created around media consumed by a person and an identity is formed by piecing together different parts of media. In Stranger Things Guantlett's theory is shown through the main character's in the show being the group of boys. This is highlighted through the boys personalities being based around media present in the 1980's. This is also present throughout the show with them naming the Demogorgon after a character in Dungeons and dragons highlighting the influence of media on the boys lives. The boys also base their attempt to find Will in the pilot episode on wanting to be like a comic book hero. This style of 80's media has also influenced audiences as it opened a new generation up to life in the 1980's which re-popularized...
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Adverts the big picture

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  shelter context. shelter is a UK based housing and homelessness charity (not for profit) Main focus of campaign- to direct potential charity users to seek advice Hopes for 'audience identification' with ordinary people in distress- a key selling point of many charity campaigns in this elements of social realism Dual target audience-those experiencing problems and people who can help Socio/political context- effects were still being felt from 2008 recession Shelter hoped the poster campaign would take clients to online advice pages via shelter website creative communication ad agency amplify sequenced campaign Pro bono campaign  Extreme close up posters 1.Traumatic color to draw attention  2.Shows normal people facing problem more relatable 3.Harder to ignore, gives a face to the problem 4. shows the people over shadowed with the problem 5.subverting stereotypes of homeless people being old unkept old men 6. direct eye contact Explain the way in which representations mak...
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