Planning another question 3

No matter where they are produced, the representations of characters and events in LFTVDs are always influenced by historical events.

How far do you agree with this statement?

 Introduction:

I agree with the statement

ST- Based around cold war and 80's

Lupin- post colonial implications 

-Point 1, context:

-Stranger Things being based around the Cold war and government experiments and in 1980s

Distrust of government in 80s, declassified CIA files.- Lab, listening to calls

-Lupin: Pellegrini stereotypical powerful rich white people.

Heavy contrast between working class and colonialism through art

-Theorist:

-ML: Lupin- Center frame Assane through glass

ST- Tracking shot of phone spies

Lupin- Depth of field prioritizing art over Assane in frame


Point 2, Representation:

Stranger Things representing sexism through having girls excluded from the main group until later on in the series.

Lupin represents racism through Mrs Pellegrini being scared of Babakar when he offers to fix her car and drive her home. Stereotype of being a criminal

-Theorist:

-ML: Hand held camera shot for Lupin, cutting between different characters


Point 3, Audience


-Theorist:

-ML:


Point 4, Industry:

-Dubbing of Lupin

-Theorist:

-ML:


Counter argument

Conclusion



The point of LFTVDs being influenced by historical events is highly evident in Lupin and Stranger Things context. Firstly, it is 

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